Written and directed by Jack Bayless, and coming from producer Key Tawn Toothman, My Only Friend’s A Corpse is a horror comedy with heart. Delivering a memorable experience that comes in at a tight 70 minutes.
A rare example of found footage actually being a positive thing, Destroy This Tape’s best moments are when the film focuses on that side of things. Alas, directors Carter Folkes and Sean McGarry choose to take their film in a different direction for most of its runtime, and it’s all the worse for it.
Written by Jeremiah Campbell and directed by Corbin Timbrook, Tower of Blood is a film that exists. It was made, and it gave some people a job.
On the one hand, it looks and feels like a modern Evil Dead film, but on the other, it’s a bog-standard possession-related horror film. Almost indistinguishable from any other, outside of the name.
As much as undertone might give a regular horror watcher some serious déjà vu, it’s not a bad film. In fact, it’s quite an effective paranormal horror film, with plenty of dread moments and jump scares.
It’s experimental; blending surrealism, romance and body horror, but doing it in a way that feels quite static. If you’re looking for an eventful film, you’ve come to the wrong place. Yet, it’s so arresting, it’s impossible to forget.
Minnie’s Midnight Massacre, which is a name that promises way more than the film delivers, is a slasher horror telling a story that has been told so many times, it’s groan-worthy.
The Cure is a really good film for two-thirds of its runtime. It looks and sounds great, it’s acted well, and the story is compelling, but after spending a long time building up a suspenseful mystery, when it is time to show its hand, it goes in hard, and busts.