Written (alongside Victoria Fradkin) and directed by Aaron Fradkin, Beezel tells a traditional horror story spread over a 60-year period. Taking place at a seemingly cursed house, several different occupants discover the truth of what lives beneath it.
Jolly Roger: Massacre at Cutter’s Cove, dumb, and just about fun, provided you can get past the dull moments (and very slow start).
Fair warning, dear reader and potential viewer of this film, The Soul Eater will leave you feeling very glum. An experience, from beginning to end, that can be summed up as miserable and uncomfortable.
Powertool Cheerleaders vs the Boyband of the Screeching Dead, a zombie comedy horror that has tongue-in-cheek musical numbers.
Sitting squarely in the middle as a decent loose adaption of the novella ‘The Shadow over Innsmouth’, Cthulhu has moments of brilliance, wrapped around a lethargic plot.
Directed by David Liz, who co-wrote the film with Manuel Delgadillo, The Welder is a film with ideas. Confusing ideas that don’t really become anything of note but can certainly be commended for some originality.
No_Filter, written and directed by Michael Dupret, is another awkward and lazy example of filmmakers misunderstanding the influencer lifestyle and what drives so many to try to become one.
Can you bloody believe it? 25-plus years after he was finally put out to pasture, Radu is back in the fifth instalment of the Subspecies franchise (sixth if we’re counting Vampire Journals, and we should). So, how the hell is Radu back now?