The Benefactress (an Exposure of Cinematic Freedom), sees filmmaker Guerrilla Metropolitana push boundaries to breaking point, and in doing so, create something daring and potent.
Noroi: The Curse comes from director Kōji Shiraishi, who co-wrote it with Naoyuki Yokota. It stars Jin Muraki as Masafumi Kobayashi, a paranormal investigator who has spent this life documenting supernatural activity.
Written and directed by Joseph Sims-Dennett, The Banished is such a frustrating watch and all because the writing wants to be so mysterious, that it becomes downright irrational.
The Surgeon, aka Exquisite Tenderness, lacks finesse but tells an compelling enough story that blends thriller and mystery elements with touches of ‘science gone mad’ and traditional slasher horror.
I Know What You Did Last Summer (2025) refuses to do anything different and banks its success on the viewer’s nostalgic interest, and that alone.
Kenneth J. Hall (writer and director) crafted something quite special with The Halfway House. Turning a no-budget piece of trash inspired by various elements of H.P. Lovecraft into a silly, sexy and fun creature feature that pays homage to classic horror in clever ways.
Zombie Island Massacre is a special kind of bad, in that you can see the good in it, but it’s so poorly put together that it’s impossible to focus on them.
Good Boy sells itself on the fact that a dog named Indy is the star and the horror story here is told from his perspective, and that is what director/writer (alongside Alex Cannon), Ben Leonberg delivers.