Album Review: HyperioN – Cybergenesis (Fighter Records)
Italian metallers HyperioN return with their third album, Cybergenesis, a sci-fi fuelled heavy metal journey packed with driving riffs, soaring vocals, and memorable hooks.
Author: Brendan Fisher
EP Review: Deadwood – Rituals of a Dying Light (Innerstrength Records)
Deadwood’s Rituals of a Dying Light delivers five tracks of crushing modern deathcore, blending brutal riffs, groove, and dark atmosphere into an unrelenting, immersive EP.
Album Review: Forever Autumn – The Lamentations (Self Released)
Avant-Garde, doom/folk act, Forever Autumn return with a brand new album titled The Lamentations due for independent release on the 3rd of January, 2026.
Album Review: Chaos Over Cosmos – The Hypercosmic Paradox (Self Released)
Releasing December 15th, 2025, The Hypercosmic Paradox sees Chaos Over Cosmos push technical and progressive metal into cosmic territory.
Album Review: Dimholt – MetaForm (Self Released)
Bulgarian black metal band Dimholt release MetaForm on 13th Dec, merging raw aggression with atmospheric depth.
Album Review: Blood Red Throne – Siltskin (Soulseller Records)
Siltskin, the new Blood Red Throne album, arrives December 5, 2025 via Soulseller Records, showcasing their heaviest yet most melodic
EP Review: Edit The Tide – The Space Between Seconds (Self Released)
The Space Between Seconds shows Edit The Tide at their best, blending alt-metal power with catchy melodies, strong vocals, and tight, confident musicianship.
Album Review: 1914 – Viribus Unitis (Napalm Records)
1914 return with Viribus Unitis, a devastating yet deeply human album that blends blackened death and doom metal to explore war, loss, and resilience.